Recently, Supreme has dropped its Spring/Summer 2025 collection, grabbing plenty of attention, especially with its stunning collaborations with various artists. The iconic animal specimens of British artist Damien Hirst, the captivating paintings by Ernie Barnes, the Bikini album cover from British electronic music pioneer Aphex Twin, along with the work of skate culture OG artist Sean Cliver and rising talent Mario Ayala, all showcase a rich diversity of collaborative spirit this season.
Damien Hirst has been a pivotal figure in the contemporary art scene since his independent student exhibition "Freeze" in 1988. His works delve into the boundaries of life, death, and morality, often using iconic taxidermy to express his existential musings. This season, Supreme has chosen to design around two of his hallmark pieces: "The Physical Impossibility of Death in the Mind of Someone Living" features a tiger shark preserved in formaldehyde, symbolizing the fragility of life; while "The Golden Calf" explores themes of religious symbolism and mortality, provoking reflection with its gilded horns.
Ernie Barnes stands as a pioneering figure in the U.S., successfully transitioning from athlete to artist. His unique "Elongation Technique" breathes life and energy into his depictions. His works often capture the vibrant life scenes of African American communities. This season, Supreme has chosen two of his iconic pieces, "The Sugar Shack" and "Main Street Pool Hall," showcasing the lively street culture and community essence, blending historical depth with contemporary social reflection.
In the realm of electronic music, Aphex Twin is known for his unique blend of musical style and visual artistry. The iconic bikini model featured on the cover of his album "Windowlicker" has been reimagined with her signature smile, showcasing his distinctive take on pop culture and sense of humor. This concept has been brought to life in this season's Supreme print designs.
The collaboration between Sean Cliver and Mario Ayala further emphasizes the visual allure of skate culture. Cliver, known for his black humor and satire, skillfully incorporates elements of pop culture into his work; meanwhile, Ayala blends a multicultural perspective with lowrider aesthetics, reflecting his profound understanding of childhood memories. This season, the printed tees and skateboards released by Supreme featuring their artwork undoubtedly enrich the creativity of the entire collection.
